Compilation film

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Esfir Szub, considered the pioneer of the compilation film.

Compilation film (also film montage, film found footage, film set) - a type of film whose main material is not material made by the performers, and taken mostly (or completely) from other sources. Composers typically use archival material, film chronicles, documentary and feature films, television shows or commercials. Such films often have an out-of-focus comment or an explanatory picture of inscriptions.

Typical examples of a compilation movie include: (1928) by Carol Reed and Garson Kanin, September (1961) and Requiem for 500,000 (1963) by George Bossak and Waclaw Kaźmierczak, or Atomic Café (1982) by Kevin Rafferty, Pierce Rafferty and Jayne Loader.

Situations like Guy Debord and René Viénet used footage founding within the détournement strategy to transform transformed films into completely different, radical political meanings, for example by adding captivating subtitles.

The technique of compiling found material is also used in feature films, often as a cutscene presenting historical events (eg the opening sequence of All the Most Important Robert Gliński). It is also a common practice to combine it in a documentary film with interviews and other material shot by contemporary artists (eg, Marcel Ophül's Sadness and Pity). Bibliography

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