illusionism

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Illusionism - in the pursuit of the greatest possible faith in the illusion of reality.

Illusionism uses the principles of perspective, striving to accent the space, and anatomical construction, while at the same time faithfully rendering the color and materiality of the characters and objects. The term illusionist painting is defined in particular as monumental wall painting, which by masterly elaborating different types of perspectives and using shortcuts tries to surface the vaults and walls as a space fleeing into a completely open or limited architectural framework, often creating the illusion of blurring boundaries between painted architecture and real. Painting of this type developed in Italy from the 2nd half. XV century (Andrea Mantegna).

Illusionist painting using the curvature and the breaking of architectural surfaces in such a way that the viewer in a particular place of the building has the impression of a realistic perspective, is called a quadrature. This technique, which requires an artist of great craftsmanship, allows to create the illusion of non-existent architectural elements, complementing real surfaces and contours. Quadrature painting developed in Italian painting in the seventeenth century; its masters were Andrea del Pozzo, Pietro da Cortona, Giovanni Battista Tiepolo.

Examples of illusionism in Polish architecture are Baroque frescoes in the depiction chapel in Łowicz and paintings in the royal theater at the Orangery in Lazienki in Warsaw (1788). Bibliography

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