Middle-clause rime

Middle-claque rhyme - a rhyme system in which the words standing in the middle school and in the verse clause resonate with each other.

Middle-clause rhymes occur, for example, in Samuel Taylor Coleridge in the poem Rymy on the old sailor: The fair breeze blew, the white foam flew, The furrow followed free; We were the first that ever burst Into that silent sea.

Mid-clause rhymes were used in the poem The Owl and the Pussy-cat by Edward Lear: Pussy said to the Owl, "You elegant fowl! How charmingly sweet you sing! O let us be married! too long we have tarried: But what shall we do for a ring?" They sailed away, for a year and a day, To the land where the Bong-Tree grows And there in a wood a Piggy-wig stood With a ring at the end of his nose, His nose, His nose, With a ring at the end of his nose.

Middle-clause rhymes are also present in Polish literature: He wandered the seas - he used to be Faryse, Under the palm, under a dark cypress, With the prayer, the Arab was in the Khaaba buildings, He visited the Prophet's tombs. His Arabic horse was white flawless. Seven times a steppe of Gaza flies on a horse, And he stood in front of the church, and he beat the corpse with his forehead, As the travelers do in Solima. (Juliusz Słowacki, Duma about Wacław Rzewuski)

Middle-Clause rhymes are a constant element of the Mickiewicz's stanza: «Up ... right ... slowly, wait for my shot, The first must go to the head to get the groom »... Kozak took off, he pointed, he fired without waiting And he struck himself - the voevoda. (Adam Mickiewicz, Chats)

Mickiewicz used middle-clause rhymes in the poem Do B (ohdana) Z (aleskiego): My slut! and fly, and go! Good-bye, please Poured tears, fulfilled dreams, Your finished song! My slut! your feathers, Take the wings of the falcon, And in the blade of claw, gold pages Give the Dawid hymn here! Because a voice came out, and fate fell And the secret burden of years It gave the fetus! and a miracle happened! And the world will rejoice.

The discussed rhyming system Leopold Staff used ballads with golden balls in Ballad. In the second stanza, in this way, rhymes: hair: ros and ear: purl.

In turn, Bolesław Lesmian used the internal-external rhyming in the poem Zielony dzban: Blue clouds are overcast, rain is weeping, There is a broken pitcher on grass in the grass

The pitcher is lying, lying, A hundred knights are sleeping beneath it, And the wind is running out of nowhere, covered with dust!

Middle-clause rhymes constituted the distinguishing feature of leonin, or the medieval hexameter.

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