alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt alt altar. Its name derives from the main altar of St. Quirin of the Benedictine monastery in Tegernsee, made in 1444-1445. Until 1938 it was identified with Gabriel Mälesskircher, until the historian E. Bucher attributed the altar to another artist. In 1982, American historian Walter Liedtke hypothesized that the altar master of Tegernsee is the same as the painter Gabriel Angler. altar of the monastery of St. Quirin consisted of two longitudinal side panels with crucifixion scenes and Christ bearing the cross. In the middle part there were four passages, and after the closing of the altar there were four scenes from the life of St. Kwiryna. The style, mainly very expressively presented a certain kind of realism, referred to the Tucher Altar Master and Hans Multscher. Assigned work Crucifixion - grisaille, 1439-1440, Alte Pinakothek, Munich Bibliography
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